{"id":750,"date":"2014-10-14T22:42:10","date_gmt":"2014-10-14T20:42:10","guid":{"rendered":"http:\/\/didierlemarchand.net\/site\/?page_id=750"},"modified":"2026-07-02T17:18:37","modified_gmt":"2026-07-02T15:18:37","slug":"vitres-exposees","status":"publish","type":"page","link":"https:\/\/didierlemarchand.net\/site\/espace\/vitres-exposees\/","title":{"rendered":"vitres expos\u00e9es"},"content":{"rendered":"<p>s\u00e9rie de 12 travaux \u00a0&#8211; 115 x 158 c<\/p>\n<p>assemblage de 18 photocopies sur film transparent<\/p>\n<p><strong>processus<\/strong> :<\/p>\n<ol>\n<li>une feuille blanche est d\u00e9plac\u00e9e obliquement sur la vitre d\u2019exposition d&rsquo;un photocopieur, en l&rsquo;effleurant plus ou moins.<\/li>\n<li>chaque photocopie est divis\u00e9e en modules qui sont brass\u00e9s<\/li>\n<li>ils sont r\u00e9assembl\u00e9s par groupes de 18 pour cr\u00e9er une nouvelle composition.<\/li>\n<li>chaque module est agrandi en 6 \u00e9tapes successives, ce qui accentue le contraste g\u00e9n\u00e9ral de l\u2019ensemble et apporte aux aplats une mati\u00e8re inexistante au d\u00e9part<\/li>\n<li>la derni\u00e8re \u00e9tape est photocopi\u00e9e sur film transparent et assembl\u00e9e avec du ruban adh\u00e9sif noir<\/li>\n<li>la r\u00e9alisation finale est accroch\u00e9e sur un mur blanc avec un d\u00e9calage de quelques millim\u00e8tres.<\/li>\n<\/ol>\n<p>Cette fen\u00eatre illusionniste sugg\u00e8re une ouverture. De par la transparence, cette envie d\u2019au-del\u00e0 s\u2019arr\u00eate au mur.<br \/>\nLes reflets de lumi\u00e8re bien r\u00e9elle du film transparent s\u2019ajoutent aux lumi\u00e8res contenues dans l\u2019\u0153uvre. Ils en amplifient l\u2019ambigu\u00eft\u00e9 et en font \u00e9clater l\u2019unit\u00e9.<br \/>\nG\u00ean\u00e9, le spectateur est contraint de se d\u00e9placer. Gestuelle devant l\u2019\u0153uvre qui rappelle en \u00e9cho la mienne devant le photocopieur.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">&#8211;<\/p>\n<div id=\"photo\" style=\"text-align: center;\"><img class=\"colorbox-750\"  loading=\"lazy\" decoding=\"async\" src=\"http:\/\/didierlemarchand.net\/4_site_nouveau\/portfolio-N3\/travaux_anciens\/vitre_exposee_1.jpg\" alt=\"vitres expos\u00e9es\" width=\"602\" height=\"438\" \/><\/div>\n<div style=\"text-align: center;\">&#8211;<\/div>\n<div style=\"text-align: center;\"><\/div>\n<div id=\"photo\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter colorbox-750\" src=\"http:\/\/didierlemarchand.net\/4_site_nouveau\/portfolio-N3\/travaux_anciens\/vitre_exposee_1_det.jpg\" alt=\"d\u00e9tail\" width=\"364\" height=\"232\" \/><\/p>\n<p style=\"text-align: center;\" align=\"right\">d\u00e9tail<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>s\u00e9rie de 12 travaux \u00a0&#8211; 115 x 158 c assemblage de 18 photocopies sur film transparent processus : une feuille blanche est d\u00e9plac\u00e9e obliquement sur la vitre d\u2019exposition d&rsquo;un photocopieur, en l&rsquo;effleurant plus ou moins. chaque photocopie est divis\u00e9e en modules qui sont brass\u00e9s ils sont r\u00e9assembl\u00e9s par groupes de 18 pour cr\u00e9er une nouvelle&hellip;&nbsp;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1298,"menu_order":313,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"_links":{"self":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/750"}],"collection":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/comments?post=750"}],"version-history":[{"count":9,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/750\/revisions"}],"predecessor-version":[{"id":21306,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/750\/revisions\/21306"}],"up":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/1298"}],"wp:attachment":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/media?parent=750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}