{"id":748,"date":"2014-10-14T22:39:55","date_gmt":"2014-10-14T20:39:55","guid":{"rendered":"http:\/\/didierlemarchand.net\/site\/?page_id=748"},"modified":"2018-02-22T15:47:13","modified_gmt":"2018-02-22T14:47:13","slug":"fissure","status":"publish","type":"page","link":"https:\/\/didierlemarchand.net\/site\/portfolio-2\/espace\/fissure\/","title":{"rendered":"fissure"},"content":{"rendered":"

1988 – s\u00e9rie de 10 travaux – 244 x 59 cm – photocopies dilu\u00e9es sur film translucide<\/p>\n

\n

Au d\u00e9part : 2 moiti\u00e9s de feuilles de bristol d\u00e9chir\u00e9es et froiss\u00e9es. Elles sont ensuite agrandies en 6 \u00e9tapes successives \u00e0 l\u2019aide d\u2019un photocopieur.
\nLe tirage final est retravaill\u00e9 manuellement en surface \u00e0 l\u2019aide d\u2019un solvant. Cela permet de d\u00e9coller et de d\u00e9placer l\u2019encre qui, au contact du solvant, devient brillante. A la structure et \u00e0 la texture photocopi\u00e9e se superposent une organisation et une mati\u00e8re parall\u00e8les et d\u00e9cal\u00e9es. Le noir de la fissure, lu pr\u00e9alablement en profondeur, semble revenir \u00e0 la surface par son caract\u00e8re en aplat qui s\u2019oppose \u00e0 la profondeur toute picturale des parois. Peinture qui r\u00e9siste \u00e0 la photocopie.<\/p>\n

Fentes tr\u00e8s \u00e9troites, en train de s\u2019ouvrir. Ouvertures qui s\u2019offrent au regard mais qui se refusent au corps. Profondeur qui remonte \u00e0 la surface. Rupture, absence, entre-deux.
\nOuverture f\u00e9minine oppos\u00e9e \u00e0 la verticalit\u00e9 phallique.<\/p>\n

Travaux \u00e0 pr\u00e9senter coinc\u00e9s entre un sol et un plafond de fa\u00e7on \u00e0 sugg\u00e9rer l\u2019id\u00e9e que nous ne voyons qu\u2019un extrait d\u2019une fissure plus longue.<\/p>\n

–<\/p>\n

\n<\/div>\n

\"fissure\"<\/div>\n
–<\/div>\n
<\/div>\n
\"fissure\"<\/div>\n","protected":false},"excerpt":{"rendered":"

1988 – s\u00e9rie de 10 travaux – 244 x 59 cm – photocopies dilu\u00e9es sur film translucide Au d\u00e9part : …<\/span> Continue Reading →<\/span><\/a><\/span><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1298,"menu_order":214,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"_links":{"self":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/748"}],"collection":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/comments?post=748"}],"version-history":[{"count":3,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/748\/revisions"}],"predecessor-version":[{"id":2299,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/748\/revisions\/2299"}],"up":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/1298"}],"wp:attachment":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/media?parent=748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}