{"id":746,"date":"2014-10-14T22:38:28","date_gmt":"2014-10-14T20:38:28","guid":{"rendered":"http:\/\/didierlemarchand.net\/site\/?page_id=746"},"modified":"2018-02-22T15:45:14","modified_gmt":"2018-02-22T14:45:14","slug":"arbre","status":"publish","type":"page","link":"https:\/\/didierlemarchand.net\/site\/portfolio-2\/espace\/arbre\/","title":{"rendered":"arbre"},"content":{"rendered":"

1990 – s\u00e9rie de 12 travaux\u00a0– 215 x 59 cm – photocopies sur film transparent<\/p>\n

\n

Point de d\u00e9part : une empreinte \u00e0 la peinture d\u2019une tige de plante s\u00e8che. Les giclures de la peinture cr\u00e9ent l\u2019illusion d\u2019une branche, sugg\u00e8rent une direction. Cette empreinte est agrandie en 6 \u00e9tapes successives \u00e0 l\u2019aide d\u2019un photocopieur.
\nL\u2019ensemble n\u2019est pas m\u00e9caniquement agrandi; certaines giclures sont \u00e9limin\u00e9es, des r\u00e9serves sont cr\u00e9\u00e9es sur le tronc sur l\u2019un des agrandissements. Le tirage final r\u00e9sulte de la superposition de 3 passages qui cr\u00e9ent ainsi des zones plus ou moins denses et des effets de mati\u00e8re. Interaction entre ma\u00eetrise et hasard, structure et gestualit\u00e9, ajout et retrait. Interrogation sur le r\u00e9el : l\u2019arbre dans sa repr\u00e9sentation par sa taille et sa surface est plus pr\u00e9sent, plus vrai que le motif de d\u00e9part pourtant trace de quelque chose qui a exist\u00e9.<\/p>\n

Totem de la contradiction : ascension, jaillissement interne et simultan\u00e9ment pr\u00e9sence de la mort. Totem de l\u2019ambigu\u00eft\u00e9 : la verticalit\u00e9 de l\u2019arbre n\u2019est que relative. Elle d\u00e9vie par rapport \u00e0 celle de la structure.<\/p>\n

Anagramme de barre : ce qui tient, ce qui dirige le regard, ce qui raye, traverse, s\u00e9pare une surface.<\/p>\n

Reconnaissance envers la peinture chinoise \u00e0 travers l\u2019un de ses motifs privil\u00e9gi\u00e9s.<\/p>\n

–<\/p>\n

\n<\/div>\n

\"arbre\"<\/div>\n","protected":false},"excerpt":{"rendered":"

1990 – s\u00e9rie de 12 travaux\u00a0– 215 x 59 cm – photocopies sur film transparent Point de d\u00e9part : une …<\/span> Continue Reading →<\/span><\/a><\/span><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1298,"menu_order":170,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_analysis_target_kw":"","footnotes":""},"_links":{"self":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/746"}],"collection":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/comments?post=746"}],"version-history":[{"count":5,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/746\/revisions"}],"predecessor-version":[{"id":2297,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/746\/revisions\/2297"}],"up":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/1298"}],"wp:attachment":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/media?parent=746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}