{"id":743,"date":"2014-10-14T22:37:27","date_gmt":"2014-10-14T20:37:27","guid":{"rendered":"http:\/\/didierlemarchand.net\/site\/?page_id=743"},"modified":"2018-02-22T15:44:26","modified_gmt":"2018-02-22T14:44:26","slug":"pieges-a-replis","status":"publish","type":"page","link":"https:\/\/didierlemarchand.net\/site\/portfolio-2\/espace\/pieges-a-replis\/","title":{"rendered":"pi\u00e8ges \u00e0 replis"},"content":{"rendered":"

1990 – s\u00e9rie de 12 travaux – 200 x 118 cm – photocopies sur film transparent<\/p>\n

\n

Point de d\u00e9part : photocopie de bandelettes de cellophane blanche tress\u00e9es sur une grille, agrandie successivement 5 fois.
\nLe tirage final est \u00e9clairci et tram\u00e9. Cela cr\u00e9e une double lecture de la profondeur : de loin, elle est illusionniste, faisant oublier le mur ; de pr\u00e8s, elle est r\u00e9elle mais faible, effleurant le mur, jouant par les ombres port\u00e9es de l\u2019\u00e9cart qui l\u2019en s\u00e9pare.
\nLe tirage tr\u00e8s clair, en faisant appara\u00eetre le support brillant, cr\u00e9e de nombreux reflets qu’il prend au pi\u00e8ge : zones claires dispos\u00e9es al\u00e9atoirement selon la plan\u00e9it\u00e9 variable du support. Ces zones sont paradoxalement ordonnanc\u00e9es par la tension de surface qu\u2019exerce la structure en toile adh\u00e9sive sur le polyester. Le spectateur est pi\u00e9g\u00e9 \u00e0 vouloir trouver le point de vue id\u00e9al. L\u2019oeuvre se d\u00e9robera sans cesse \u00e0 son regard.<\/p>\n

Tentative vaine de maintenir des ondulations, des sinuosit\u00e9s, de les contr\u00f4ler dans leur abandon.
\nPrise, enregistrement de plis. Pr\u00e9sence distanci\u00e9e par le revers, le double.
\nRegard pris au pi\u00e8ge. Lutte entre le retrait, la dissimulation et la mise en avant, le donner \u00e0 voir. Mouvement perp\u00e9tuel.<\/p>\n

–<\/p>\n

\n<\/div>\n

\"pi\u00e8ges<\/div>\n
–<\/div>\n
<\/div>\n
\n

\"pi\u00e8ges<\/p>\n

exposition UTC 1989<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

1990 – s\u00e9rie de 12 travaux – 200 x 118 cm – photocopies sur film transparent Point de d\u00e9part : …<\/span> Continue Reading →<\/span><\/a><\/span><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1298,"menu_order":280,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_analysis_target_kw":"","footnotes":""},"_links":{"self":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/743"}],"collection":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/comments?post=743"}],"version-history":[{"count":2,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/743\/revisions"}],"predecessor-version":[{"id":2296,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/743\/revisions\/2296"}],"up":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/1298"}],"wp:attachment":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/media?parent=743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}