{"id":515,"date":"2014-10-06T18:51:51","date_gmt":"2014-10-06T16:51:51","guid":{"rendered":"http:\/\/didierlemarchand.net\/site\/?page_id=515"},"modified":"2026-07-03T17:28:49","modified_gmt":"2026-07-03T15:28:49","slug":"1-1","status":"publish","type":"page","link":"https:\/\/didierlemarchand.net\/site\/resurgences\/1-1\/","title":{"rendered":"r\u00e9surgence 1.1"},"content":{"rendered":"

21,3 x 29,6 cm – impression pigmentaire<\/p>\n

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A travers la naturalisation, les mus\u00e9ums ont cherch\u00e9 \u00e0 donner vie \u00e0 des animaux inertes. Aujourd’hui, seuls les jeunes enfants et les innocents sont encore impressionn\u00e9s par cet ersatz de vie. Les animaux empaill\u00e9s ont \u00e9t\u00e9 supplant\u00e9s aupr\u00e8s du public par la photographie et le cin\u00e9ma documentaire. Or, paradoxalement, la photographie animali\u00e8re \u00e0 travers son naturalisme \u00ab taxidermise \u00bb aussi \u00e0 sa fa\u00e7on les animaux.
\nEn parcourant les all\u00e9es de diff\u00e9rents mus\u00e9ums (La Chaux de Fond, Dijon, Autun, Toulon) une autre vision photographique s’est impos\u00e9e : d\u00e9naturaliser les animaux empaill\u00e9s pour leur redonner vie derri\u00e8re l\u2019oeil du spectateur; retrouver, par leur surgissement, non pas le mouvement r\u00e9el saisi, mais un mouvement virtuel, potentiellement bien plus riche en sensations, souvenirs et r\u00e9flexions, et au-del\u00e0, interroger la renaissance de mon propre regard.<\/p>\n

L’ensemble est expos\u00e9 accompagn\u00e9 de textes de G\u00e9rard Fournaison.
\nIl est aussi r\u00e9uni dans un livre : \u00e0 poil, \u00e0 plume<\/a> pour lequel je cherche un \u00e9diteur.<\/p>\n

Lorsque Didier Lemarchand m\u2019a envoy\u00e9 ses \u201cphoto-graphies\u201d, c\u2019est ce titre qui a retenu mon attention, avec l\u2019id\u00e9e d\u2019un courant continu venu du plus profond du monde souterrain, de je ne sais quelle myst\u00e9rieuse grotte dont les murs auraient \u00e9t\u00e9 rev\u00eatus de peintures rupestres, images emprunt\u00e9es \u00e0 de tr\u00e8s anciennes \u201ccivilisations\u201d. L\u2019\u00e9cho s\u2019en trouve dans le mono-logue int\u00e9rieur qui accompagne l\u2019ensemble des images. \u201cR\u00e9surgence\u201d \u00e9voquait aussi le souvenir, l\u2019\u00e9merveillement de l\u2019enfant qui dans un lointain mus\u00e9e de province d\u00e9couvrait les animaux naturalis\u00e9s par le taxidermiste attach\u00e9 aux \u201ccabinets de curiosit\u00e9s\u201d et les dialogues silencieux qui s\u2019en suivaient. S\u2019y ajoutait la m\u00e9moire de moments heureux de notre culture\u2026 C\u2019est \u00e9vident : les animaux de Didier Lemarchand devaient nous parler. Surpris dans leur immobilit\u00e9 ils nous apostrophent. H\u00e9ros singuliers, ne nous renvoient-ils pas \u00e0 ces mots de Paul Val\u00e9ry : \u00ab \u2026Achille immobile \u00e0 grands pas\u2026 ? \u00bb<\/em><\/p>\n

G\u00e9rard Fournaison<\/p>\n

dossier de pr\u00e9sentation t\u00e9l\u00e9chargeable<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

21,3 x 29,6 cm – impression pigmentaire –       –         –         –         –         –         –         –         –         –      … <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1300,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"both","_seopress_redirections_param":"","_seopress_redirections_type":301,"_seopress_analysis_target_kw":"","neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"_links":{"self":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/515"}],"collection":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/comments?post=515"}],"version-history":[{"count":27,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/515\/revisions"}],"predecessor-version":[{"id":21334,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/515\/revisions\/21334"}],"up":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/1300"}],"wp:attachment":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/media?parent=515"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}