{"id":510,"date":"2014-10-06T18:40:53","date_gmt":"2014-10-06T16:40:53","guid":{"rendered":"http:\/\/didierlemarchand.net\/site\/?page_id=510"},"modified":"2025-10-07T10:33:52","modified_gmt":"2025-10-07T08:33:52","slug":"1-1-2","status":"publish","type":"page","link":"https:\/\/didierlemarchand.net\/site\/portfolio-2\/resurgences\/1-1-2\/","title":{"rendered":"r\u00e9surgence 1.2 : \u00e0 poil"},"content":{"rendered":"

2001 – 21,3 x 29,6 cm – impression pigmentaire<\/p>\n

dossier de pr\u00e9sentation t\u00e9l\u00e9chargeable<\/a><\/p>\n

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A travers la naturalisation, les mus\u00e9ums ont cherch\u00e9 \u00e0 donner vie \u00e0 des animaux inertes. Aujourd’hui, seuls les jeunes enfants et les innocents sont encore impressionn\u00e9s par cet ersatz de vie. Les animaux empaill\u00e9s ont \u00e9t\u00e9 supplant\u00e9s aupr\u00e8s du public par la photographie et le cin\u00e9ma documentaire. Or, paradoxalement, la photographie animali\u00e8re \u00e0 travers son naturalisme \u00ab taxidermise \u00bb aussi \u00e0 sa fa\u00e7on les animaux.
\nEn parcourant les all\u00e9es de diff\u00e9rents mus\u00e9ums (La Chaux de Fond, Dijon, Autun, Toulon) une autre vision photographique s’est impos\u00e9e : d\u00e9naturaliser les animaux empaill\u00e9s pour leur redonner vie derri\u00e8re l\u2019oeil du spectateur; retrouver, par leur surgissement, non pas le mouvement r\u00e9el saisi, mais un mouvement virtuel, potentiellement bien plus riche en sensations, souvenirs et r\u00e9flexions, et au-del\u00e0, interroger la renaissance de mon propre regard.<\/p>\n

Cette s\u00e9rie a son double avec des animaux \u00e0 plume : r\u00e9surgence 1.1<\/a><\/p>\n

L’ensemble est expos\u00e9 accompagn\u00e9 de textes de G\u00e9rard Fournaison.
\nIl est aussi r\u00e9uni dans un livre : \u00e0 poil, \u00e0 plume<\/a> pour lequel je cherche un \u00e9diteur.<\/p>\n","protected":false},"excerpt":{"rendered":"

2001 – 21,3 x 29,6 cm – impression pigmentaire dossier de pr\u00e9sentation t\u00e9l\u00e9chargeable –   –     –   …<\/span> Continue Reading →<\/span><\/a><\/span><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1300,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"_links":{"self":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/510"}],"collection":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/comments?post=510"}],"version-history":[{"count":16,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/510\/revisions"}],"predecessor-version":[{"id":20481,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/510\/revisions\/20481"}],"up":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/1300"}],"wp:attachment":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/media?parent=510"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}