{"id":488,"date":"2014-10-06T18:19:05","date_gmt":"2014-10-06T16:19:05","guid":{"rendered":"http:\/\/didierlemarchand.net\/site\/?page_id=488"},"modified":"2026-07-02T11:07:04","modified_gmt":"2026-07-02T09:07:04","slug":"autre-la-4","status":"publish","type":"page","link":"https:\/\/didierlemarchand.net\/site\/presence\/autre-la-4\/","title":{"rendered":"l’autre-l\u00e0 4"},"content":{"rendered":"

impressions jet d’encre pigmentaire<\/p>\n

formats : 30 x 30 cm<\/p>\n

–<\/h1>\n

\"autre-la-4-1\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-2\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-3\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-4\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-5\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-6\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-7\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-8\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-9\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-10\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-11\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-121\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-13\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-14\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-15\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-16\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-17\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-18\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-19\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-20\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-22\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-23\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-24\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-25\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-26\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-27\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-28\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-29\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-30\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-31\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

 <\/p>\n

\"autre-la-4-32\"<\/h1>\n

 <\/p>\n

–<\/h1>\n

Exp\u00e9rience de d\u00e9placement<\/strong><\/p>\n

Pendant un an j\u2019ai effectu\u00e9 en train des allers-retours entre Compi\u00e8gne et Paris. Mon regard a \u00e9t\u00e9 naturellement attir\u00e9 par les changements de paysages, les variations de lumi\u00e8re du matin, le passage de la ville \u00e0 la campagne, les graphismes cr\u00e9\u00e9s par les signaux lumineux, les porte-cat\u00e9naires, la signal\u00e9tique des gares. Le v\u00e9g\u00e9tal se fondait avec le m\u00e9tallique, l\u2019espace a\u00e9rien avec l\u2019espace int\u00e9rieur. J\u2019ai regard\u00e9 cela \u00e0 travers des vitres plus ou moins givr\u00e9es qui d\u00e9formaient la vision de toutes ces choses, les po\u00e9tisaient, les complexifiaient par des reflets que d\u2019autres auraient qualifi\u00e9s de parasites.<\/p>\n

Parall\u00e8lement j\u2019ai regard\u00e9 mes voisins d\u2019infortune (il ne s\u2019agissait pas d\u2019un voyage de loisir, on allait au travail) pour qui les baies ne semblaient manifestement pas exister. Ils ne regardaient pas \u00e0 l\u2019ext\u00e9rieur, ils se livraient \u00e0 d\u2019autres activit\u00e9s bien plus prosa\u00efques\u00a0:<\/p>\n

\u2022 la lecture de revues, la pratique de jeux solitaires
\n\u2022 le travail sur ordinateur, ou le visionnement d\u2019un dvd
\n\u2022 la discussion avec leurs voisins sur les petits tracas du quotidien ou le choix d\u2019une voiture
\n\u2022 le peaufinage ultime du maquillage, etc<\/p>\n

 <\/p>\n

Pour mener \u00e0 bien ce projet, j\u2019ai pris beaucoup de clich\u00e9s de vitres et j\u2019ai saisi, \u00e0 la d\u00e9rob\u00e9e et en gros plan, quelques traces des diverses activit\u00e9s des passagers (J’ai tout fait pour que les personnes ne soient pas reconnaissables). Ces 2 types de clich\u00e9s ont \u00e9t\u00e9 associ\u00e9s par superposition. cr\u00e9ant de la sorte des d\u00e9placements parall\u00e8les : oscillation entre deux univers intimes, passage d\u2019une vision en travelling lat\u00e9ral \u00e0 une circulation en profondeur dans le plan.<\/p>\n

 <\/p>\n

Contre mon habitude je n\u2019ai pas pris de livre pour le voyage. J\u2019ai regard\u00e9 le paysage de la ligne de Sceaux glisser \u00e0 la vitre, son d\u00e9cor familier o\u00f9 s\u2019immiscent les signes de maintenant, ici, des maisons neuves, plus loin les \u00e9chafaudages de la future gare de Massy-Palaiseau.<\/em><\/p>\n

Pierre Bergounioux, Carnet de notes 1991-2000<\/p>\n

dossier de pr\u00e9sentation t\u00e9l\u00e9chargeable<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

impressions jet d’encre pigmentaire formats : 30 x 30 cm –   –     –     –     –     –     –     –     –     –     –     –     –     –     –     –… <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1313,"menu_order":69,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"_links":{"self":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/488"}],"collection":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/comments?post=488"}],"version-history":[{"count":26,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/488\/revisions"}],"predecessor-version":[{"id":21272,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/488\/revisions\/21272"}],"up":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/1313"}],"wp:attachment":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/media?parent=488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}