{"id":475,"date":"2014-10-06T17:11:48","date_gmt":"2014-10-06T15:11:48","guid":{"rendered":"http:\/\/didierlemarchand.net\/site\/?page_id=475"},"modified":"2023-02-07T16:07:42","modified_gmt":"2023-02-07T15:07:42","slug":"accident-4","status":"publish","type":"page","link":"https:\/\/didierlemarchand.net\/site\/portfolio-2\/espace\/accident-4\/","title":{"rendered":"accident 04"},"content":{"rendered":"

1999 – impressions jet d’encre pigmentaire – formats : 17 x 26,4 cm<\/p>\n

dossier de pr\u00e9sentation t\u00e9l\u00e9chargeable<\/a><\/p>\n

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Qu\u2019est-ce qu\u2019un paysage sur une carte postale, de surcroit ancienne ?
\nC\u2019est un morceau de r\u00e9el, un ersatz d\u2019un lieu magnifique que les touristes ramenaient avec eux avant la d\u00e9mocratisation de la photographie.
\nLa prolif\u00e9ration des cartes postales a fa\u00e7onn\u00e9 l’id\u00e9e que l’on s’est fait du paysage : \u00e0 la limite, on voyage pour retrouver ces images emmagasin\u00e9es dans l\u2019inconscient collectif. Le regard est devenu st\u00e9r\u00e9otyp\u00e9.
\nHeureusement les divers accidents (tampons, flammes, timbres d\u00e9coll\u00e9s, taches, etc.) qu\u2019ont subi ces cartes postales, par pur hasard, viennent perturber cette \u00e9vidence. Ils sont des signes visuels aussi pr\u00e9gnants que ceux du r\u00e9el qui nous permettent d\u2019identifier un paysage.
\nDor\u00e9navant nous sommes dans une ambig\u00fcit\u00e9 totale. O\u00f9 sont nos rep\u00e8res, o\u00f9 sont le haut et et le bas, le proche et le lointain, pourquoi focaliser sur cet \u00e9l\u00e9ment plut\u00f4t que telle autre ? Le r\u00e9el redevient un objet de d\u00e9couverte et de connaissance, ce n\u2019est plus un objet de consommation.<\/p>\n","protected":false},"excerpt":{"rendered":"

1999 – impressions jet d’encre pigmentaire – formats : 17 x 26,4 cm dossier de pr\u00e9sentation t\u00e9l\u00e9chargeable –   – …<\/span> Continue Reading →<\/span><\/a><\/span><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1298,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"_links":{"self":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/475"}],"collection":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/comments?post=475"}],"version-history":[{"count":10,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/475\/revisions"}],"predecessor-version":[{"id":2268,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/475\/revisions\/2268"}],"up":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/1298"}],"wp:attachment":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/media?parent=475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}