{"id":21233,"date":"2026-06-30T15:32:01","date_gmt":"2026-06-30T13:32:01","guid":{"rendered":"https:\/\/didierlemarchand.net\/site\/?page_id=21233"},"modified":"2026-06-30T15:49:21","modified_gmt":"2026-06-30T13:49:21","slug":"sur-la-plage-abandonnes","status":"publish","type":"page","link":"https:\/\/didierlemarchand.net\/site\/vanite\/sur-la-plage-abandonnes\/","title":{"rendered":"vanit\u00e9 8 : sur la plage abandonn\u00e9s"},"content":{"rendered":"

diptyques, formats : 30 x 62 cm<\/p>\n

impressions jet d’encre pigmentaire<\/p>\n

–<\/h1>\n

\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

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\"vanit\u00e9<\/h1>\n

–<\/h1>\n

\"vanit\u00e9<\/h1>\n

–<\/h1>\n

<\/h1>\n

sur la plage abandonn\u00e9s<\/strong><\/p>\n

Si un extra-terrestre d\u00e9barquait sur nos plages, quelle lecture ferait-il de tous ces id\u00e9ogrammes que sont \u00e0 la fois ces algues, ces d\u00e9bris v\u00e9g\u00e9taux mais aussi ces bouts de cordages, ces morceaux de plastiques.
\nCes traces naturelles ou r\u00e9sultant de l\u2019activit\u00e9 humaine se confondent. Seule une sensibilit\u00e9 \u00e9cologique les diff\u00e9rencie et y voit un t\u00e9lescopage inqui\u00e9tant.
\nCette s\u00e9rie rend compte de ce ph\u00e9nom\u00e8ne par la confrontation de ces deux univers sous la forme de diptyques.<\/p>\n

Je remercie, pour avoir fait germer ce projet, les plages de la Baie d\u2019Authie, de Berck, de Boulogne-sur-mer, de Brignogan, d\u2019Equihen, de Fort-Mahon, d\u2019Ichinomiya, de Kamakura, de Malo-les-Bains, de Meneham, de Portocello et de Saint-Michel-en-Gr\u00e8ve.<\/p>\n

\u00ab\u00a0Je fus fascin\u00e9 par l’esprit des dessins lin\u00e9aire \u00e0 mes pieds,<\/em>
\nSeuil alluvial r\u00e9sumant toute l’eau, toutes les terres du globe.<\/em>
\nIncapables de se d\u00e9tacher, mes yeux quitt\u00e8rent le sud pour suivre les sinueux andains sur le sable,<\/em>
\nBalle, paille, \u00e9clisses de bois, algues, gluten marin,<\/em>
\n\u00c9cume, squame de rocs brillants, grande feuille de varechs apport\u00e9es par la mar\u00e9e,<\/em>
\nSur des milles et des milles au milieu de la clameur des vagues d\u00e9ferlant dans mon dos, …\u00a0<\/em>
\n\u00ab\u00a0Car ces fragments sont \u00e0 vous comme \u00e0 moi nos symboles.\u00a0<\/em>
\n\u00ab\u00a0Cette masse informe cass\u00e9e, abattue, l\u00e0 sur le sable qui est-elle\u00a0?\u00a0\u00bb<\/em><\/p>\n

Walt Whitman trad. Jacques Darras, \u00ab\u00a0Dross\u00e9 au sable \u2013 Feuilles d\u2019herbe\u00a0\u00bb<\/em><\/p>\n

 <\/p>\n

 <\/p>\n

dossier de pr\u00e9sentation t\u00e9l\u00e9chargeable<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

diptyques, formats : 30 x 62 cm impressions jet d’encre pigmentaire – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – sur la plage abandonn\u00e9s Si un extra-terrestre d\u00e9barquait sur nos plages, quelle lecture… <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1342,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"_links":{"self":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/21233"}],"collection":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/comments?post=21233"}],"version-history":[{"count":4,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/21233\/revisions"}],"predecessor-version":[{"id":21238,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/21233\/revisions\/21238"}],"up":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/1342"}],"wp:attachment":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/media?parent=21233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}