{"id":1706,"date":"2018-01-22T18:47:56","date_gmt":"2018-01-22T17:47:56","guid":{"rendered":"http:\/\/didierlemarchand.net\/site\/portfolio-2\/presence\/pygmalion-4\/"},"modified":"2018-02-14T16:18:45","modified_gmt":"2018-02-14T15:18:45","slug":"pygmalion-4","status":"publish","type":"page","link":"https:\/\/didierlemarchand.net\/site\/portfolio-2\/presence\/pygmalion-4\/","title":{"rendered":"pygmalion 4"},"content":{"rendered":"

2014 \u2013 s\u00e9rie en cours \u2013 30 x 30 cm \u2013 impression pigmentaire<\/p>\n

dossier de pr\u00e9sentation t\u00e9l\u00e9chargeable<\/a><\/p>\n

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La mythologie raconte que le sculpteur Pygmalion tomba amoureux de sa cr\u00e9ation, Galat\u00e9e, une statue rendue vivante gr\u00e2ce \u00e0 Aphrodite.<\/p>\n

La voil\u00e0, blanche dans l\u2019atelier solitaire,\u2028<\/em><\/p>\n

Finie aux yeux, finie aux reins et l\u2019on croirait\u2028<\/em><\/p>\n

Que le pied d\u00e9licat quitte le socle, pr\u00eat\u2028<\/em><\/p>\n

\u00c0 courir dans la vie. Et m\u00eame la paupi\u00e8re<\/em><\/p>\n

A remu\u00e9 Ce n\u2019est pas une illusion\u2026<\/em><\/p>\n

Galat\u00e9e et Pygmalion , Charles CROS – Recueil : \u00ab\u00a0Le collier de griffes\u00a0\u00bb<\/p>\n

Je n’ai adress\u00e9 aucune pri\u00e8re aupr\u00e8s d’une d\u00e9esse. Plus prosa\u00efquement, pendant que mon \u00e9pouse faisait du l\u00e8che-vitrine, il fallait m’occuper. Mon attention s’est port\u00e9e sur les mannequins.
\nProgressivement, j’y ai vu mati\u00e8re \u00e0 d\u00e9velopper autrement mon travail de questionnement sur la relation qu’entretient la photographie avec le r\u00e9el en renversant en quelque sorte cette relation.
\nOrdinairement la photographie part du r\u00e9el, du vivant pour cr\u00e9er un double virtuel, inerte. Dans le cas de la mode, les mannequins-mod\u00e8les deviennent des figures de papier objectiv\u00e9s. Ici, elle cherche \u00e0 insuffler de la vie aux mannequins-objets des vitrines. Ils sont l\u00e0 pour cr\u00e9er du d\u00e9sir, celui qui doit d\u00e9clencher l’achat.
\nOr, il se trouve qu’ils sont tr\u00e8s st\u00e9r\u00e9otyp\u00e9s dans leur forme, leur mati\u00e8re et leur posture. L’effet recherch\u00e9 saute aux yeux, le d\u00e9sir est \u00e9mouss\u00e9. Le manque engendre l’envie de les rendre vivants par le regard photographique en jouant des \u00e9clairages, du hors-champ, de leur redonner vie et d’habiter les v\u00eatements d’une pr\u00e9sence, pr\u00e9sence fantasmatique.<\/p>\n","protected":false},"excerpt":{"rendered":"

2014 \u2013 s\u00e9rie en cours \u2013 30 x 30 cm \u2013 impression pigmentaire dossier de pr\u00e9sentation t\u00e9l\u00e9chargeable –   – …<\/span> Continue Reading →<\/span><\/a><\/span><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1313,"menu_order":104,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"_links":{"self":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/1706"}],"collection":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/comments?post=1706"}],"version-history":[{"count":11,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/1706\/revisions"}],"predecessor-version":[{"id":2130,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/1706\/revisions\/2130"}],"up":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/1313"}],"wp:attachment":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/media?parent=1706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}