{"id":1671,"date":"2018-01-20T19:11:09","date_gmt":"2018-01-20T18:11:09","guid":{"rendered":"http:\/\/didierlemarchand.net\/site\/portfolio-2\/vanite\/menu\/"},"modified":"2025-10-13T08:25:23","modified_gmt":"2025-10-13T06:25:23","slug":"vanite-5-1","status":"publish","type":"page","link":"https:\/\/didierlemarchand.net\/site\/portfolio-2\/vanite\/vanite-5-1\/","title":{"rendered":"vanit\u00e9 5.1"},"content":{"rendered":"

s\u00e9rie commenc\u00e9e en 2008 \u2013 24 x 24 cm \u2013 impression pigmentaire<\/p>\n

dossier de pr\u00e9sentation t\u00e9l\u00e9chargeable<\/a><\/p>\n

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Si les murs pouvaient parler\u2026<\/strong><\/p>\n

Nous entendons par mur un ouvrage de ma\u00e7onnerie form\u00e9 de pierres, de briques, de moellons superpos\u00e9s et li\u00e9s par du mortier ou du ciment. Or, les murs, pris dans cette acceptation, disparaissent dans les villes modernes. Le pi\u00e9ton contemporain voit au pied des buildings des vitres maintenues entre des piliers de b\u00e9ton.
\nIl faut aller en province pour voir et \u00e9couter les murs\u00a0: ce ne sont pas de simples parois, des surfaces ext\u00e9rieures d\u00e9pourvues de toute int\u00e9riorit\u00e9. Par l\u00e0, je parle, non pas de l’int\u00e9rieur des b\u00e2timents, mais de ce que l’homme y projette. Rappelons des murs connus pour leur symbolique forte\u00a0: mur des Lamentations, des F\u00e9d\u00e9r\u00e9s, de Berlin, de la Peste.<\/p>\n

Ce qui m\u2019int\u00e9resse ce sont des murs plus modestes, plus anonymes, loin de tout drame.
\nSous l’effet conjoint du temps, des intemp\u00e9ries, du gel, leur mortier s’\u00e9caille, s’\u00e9gr\u00e8ne, sous celui de la pollution il se salit. Des plantes dont les graines emport\u00e9es par les vents y germent. L’homme y apporte sa part de d\u00e9t\u00e9riorations, il s’y appuie, y frotte des v\u00e9hicules, y incise des graffitis. En un mot, une destruction lente et graduelle s’op\u00e8re, trace de vies minuscules, palimpseste d’un quotidien ordinaire. Leurs histoires sont celles de ces minutes qui d\u00e9filent, quand rien ne se passe.<\/p>\n

Devant ces murs on peut c\u00e9der \u00e0 une certaine r\u00eaverie, comme je le fais dans la s\u00e9rie Chim\u00e8re<\/a>. Mais souvent, l\u2019empreinte du temps y est plus forte. Le mur est per\u00e7u comme une surface sensible au m\u00eame titre que la pellicule ou le capteur photographique. Il a retenu le temps\u00a0: une fresque perdue, une carte effac\u00e9e, des stigmates de pr\u00e9sences surgissent.
\nLa m\u00e9moire du mur est devenue le catalyseur de ma propre m\u00e9moire, celle de mon \u00eatre r\u00e9volu. Elle me ram\u00e8ne, elle nous ram\u00e8ne \u00e0 notre pr\u00e9carit\u00e9 sur terre.
\n\u00ab\u00a0Se heurter \u00e0 un mur\u00a0\u00bb ne voudrait-il pas dire autre chose\u00a0?<\/p>\n","protected":false},"excerpt":{"rendered":"

s\u00e9rie commenc\u00e9e en 2008 \u2013 24 x 24 cm \u2013 impression pigmentaire dossier de pr\u00e9sentation t\u00e9l\u00e9chargeable –   –     –     –     –     –     –     –     –     –     –     –     –     –… <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1342,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"both","_seopress_redirections_param":"","_seopress_redirections_type":301,"_seopress_analysis_target_kw":"","neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"_links":{"self":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/1671"}],"collection":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/comments?post=1671"}],"version-history":[{"count":10,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/1671\/revisions"}],"predecessor-version":[{"id":20583,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/1671\/revisions\/20583"}],"up":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/1342"}],"wp:attachment":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/media?parent=1671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}