{"id":1617,"date":"2018-01-20T16:55:17","date_gmt":"2018-01-20T15:55:17","guid":{"rendered":"http:\/\/didierlemarchand.net\/site\/?page_id=1617"},"modified":"2018-02-20T17:11:57","modified_gmt":"2018-02-20T16:11:57","slug":"trottoir","status":"publish","type":"page","link":"https:\/\/didierlemarchand.net\/site\/portfolio-2\/minuties\/trottoir\/","title":{"rendered":"trottoir"},"content":{"rendered":"

2009 \u2013 s\u00e9rie en cours \u2013 24 x 24 cm \u2013 impression pigmentaire<\/p>\n

dossier de pr\u00e9sentation t\u00e9l\u00e9chargeable<\/a><\/p>\n

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Cette s\u00e9rie fait partie d’un ensemble : minuties<\/strong><\/p>\n

D\u00e9f. de minutie :<\/strong>
\nPetite chose, d\u00e9tail sans importance, insignifiant.
\nApplication attentive, soin donn\u00e9 aux moindres d\u00e9tails.
\nManifestation de ce soin.
\n\u00c9tymol. : empr. au lat. d’\u00e9poque imp\u00e9riale minutia \u00abpetite parcelle, poussi\u00e8re\u00bb, lui-m\u00eame d\u00e9r. de minutus \u00abpetit, menu\u00bb, part. pass\u00e9 adj. de minuo \u00abdiminuer, rendre plus petit\u00bb.<\/p>\n

\u00ab J’ai vu un voyant, <\/em>
\nQui examinait les teintes les objets de l’univers,<\/em>
\nLes champs de l’art, du savoir, du plaisir, des sens,<\/em>
\nEt cueillait l’eidolon. \u00bb<\/em>
\nWalt Whitman, Feuilles d’herbe – trad. Jacques Darras<\/p>\n

Images prises au gr\u00e9 des jours, lors de promenades ou de temps morts.
\nTemps suspendu, moments o\u00f9 l’on fait le vide, minutes d’enti\u00e8re disponibilit\u00e9, de perm\u00e9abilit\u00e9 au monde, o\u00f9 l’on laisse de c\u00f4t\u00e9 sa pens\u00e9e, ses r\u00eaveries, ses souvenirs pour n’\u00eatre que dans l’instant, qu’avec ses seuls yeux.
\nEtats d’indolence, de fl\u00e2nerie, de vagabondage o\u00f9 l’on part dans le d\u00e9cor, o\u00f9 l’on accueille l’impr\u00e9vu, on laisse venir \u00e0 soi le fortuit
\nUne seule chose s’impose : se m\u00ealer au flux du r\u00e9el et n’en picorer que des bribes, des traces, des rebuts, des miettes, muets de tout sens.
\nDe retour chez soi, les images cueillies sont mises de c\u00f4t\u00e9. On les oublie temporairement.
\nPlus tard, on les red\u00e9couvre, on les observe, on \u00e9limine tout ce qui peut relever du pittoresque, de l’esth\u00e9tisme.
\nLa r\u00e9f\u00e9rence au r\u00e9el n’est plus forc\u00e9ment pr\u00e9sente, il ne reste que l’alchimie des formes, des couleurs, des mati\u00e8res. Certaines s’imposent, sans que l’on sache vraiment pourquoi, comme cela a d\u00e9j\u00e0 \u00e9t\u00e9 le cas lors de la prise de vue.
\nCependant, peut-on encore en rester \u00e0 la surface des choses, sortir de la moindre signification? Devant cet ensemble fragmentaire, d\u00e9cousu, polymorphe il appara\u00eet en filigrane des redites, des constantes, des obsessions. Acceptons seulement de regrouper ces images selon des cat\u00e9gories sensibles, ph\u00e9nom\u00e9nologiques pourrait-on dire, et laissons ceux, qui le souhaitent, disserter peut-\u00eatre dans une approche bachelardienne.<\/p>\n

\u00ab Le souffle de lumi\u00e8re, le tremblement concentr\u00e9<\/em>
\nqui \u00e9mane de certaines rencontres<\/em>
\ncontredit parfois sa propre bri\u00e8vet\u00e9<\/em>
\net s’\u00e9tend comme une lente alchimie<\/em>
\nsur tout le reste de la vie. \u00bb<\/em>
\nRoberto Juarroz, Douzi\u00e8me po\u00e9sie verticale trad. Fernand Verhesen<\/p>\n","protected":false},"excerpt":{"rendered":"

2009 \u2013 s\u00e9rie en cours \u2013 24 x 24 cm \u2013 impression pigmentaire dossier de pr\u00e9sentation t\u00e9l\u00e9chargeable –   – …<\/span> Continue Reading →<\/span><\/a><\/span><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1348,"menu_order":159,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"_links":{"self":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/1617"}],"collection":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/comments?post=1617"}],"version-history":[{"count":10,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/1617\/revisions"}],"predecessor-version":[{"id":2181,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/1617\/revisions\/2181"}],"up":[{"embeddable":true,"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/pages\/1348"}],"wp:attachment":[{"href":"https:\/\/didierlemarchand.net\/site\/wp-json\/wp\/v2\/media?parent=1617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}